And here we are. Here I am. Ten years on. A whole decade's slipped by and I didn't really notice. But at the same time, so much has happened. I've made friends and lost friends. I've done stuff I regret and I've been treated horribly at times. I've become a writer and an author. I've grown. I've learned. I know better what I think about things now and I know to listen to my gut more. I've fallen in love with the wrong person. I've had my heart broken. I've been lonely, but I've been elated at times too and I've achieved things I quite simply didn't think were in my league.Thursday, December 31, 2009
1999-2009
And here we are. Here I am. Ten years on. A whole decade's slipped by and I didn't really notice. But at the same time, so much has happened. I've made friends and lost friends. I've done stuff I regret and I've been treated horribly at times. I've become a writer and an author. I've grown. I've learned. I know better what I think about things now and I know to listen to my gut more. I've fallen in love with the wrong person. I've had my heart broken. I've been lonely, but I've been elated at times too and I've achieved things I quite simply didn't think were in my league.Tuesday, December 29, 2009
Crazy Glue
(And it was lovely to read that someone else is a fan now too - reading that made me very, very happy.)
Monday, December 28, 2009
And Yet Another Story Shape
Wednesday, December 23, 2009
Happy Hols
Tuesday, December 22, 2009
The Elegance of the Hedgehog
It's a shame I've already listed my books of the year because The Elegance of The Hedgehog, by Muriel Barbery would certainly have featured in it. (It'll have to go into next year's list.)Thursday, December 17, 2009
Lists
Which has been another big feature of 2009. I've learned a lot about writing and about the industry, and I've seen what brilliant people there are in it. People who genuinely care about stories and books and writers and literature and I've learned that most of those people are great and lovely and cool. And I am incredibly fortunate to be able to call some of those people my friends.
I Like This Song
Tuesday, December 15, 2009
A Quick Celebration
Monday, December 14, 2009
Another Shape
Thursday, December 10, 2009
Book of the Year 2009
Right. I've thought long and I've thought hard about this. I even went back to some of the books listed yesterday and dipped into them for a reminder, in case I'd missed something.
And I have come to my decision.
Here are my top 3 books of the year.
At number 3.

Black Boxes by Caroline Smailes.
I read this right at the beginning of the year and it's stayed with me since.
Haunting, heart breaking, brave, believable and brilliant.

The Girl on The Fridge by Etgar Keret.
Along with Aimee Bender, Keret's work has changed how I write and what I write about. This is an amazing collection of short fiction.
Different, funny, sad, brilliant and written by someone with the most wonderful of imaginations.
Slaughterhouse 5 by Kurt Vonnegut.
When I finished this I remember saying that it could be my favourite book ever. So, well, it must be my favourite of the year.
Brilliantly imaginative, in terms of story and structure, brilliantly written, moving and funny. It's a classic.
***
And a few honourable mentions.
An A-Z of Possible Worlds, by A C Tillyer for being a brilliant short story collection and brilliantly packaged.
Heaven Can Wait, by Cally Taylor for being funny and incredibly moving and for making me love it despite it being outside of what I normally read.
Elephants in Our Bedroom, by Michael Czyzniejewski, for having superbly crafted stories, written by someone with an imagination up there with the best.
Dear Everybody, by Michael Kimball, which could be the American companion to Black Boxes.
And Olive Kitteridge by Elizabeth Strout for being a brilliant and moving story about a life and having just about the perfect opening chapter I've read.
***
So there you have it. Anyone else going to share?
Wednesday, December 09, 2009
Books of The Year: The Nominations
And Another!
You Might Also Like...
Tuesday, December 08, 2009
And Another Shape

More Shapes
Sunday, December 06, 2009
Thank You
Friday, December 04, 2009
Cally Taylor Interview

Cally Taylor. Hello!
Hello Nik! Thanks so much for inviting me onto your blog.
First things first (let’s get this out of the way). Your book, the brilliant Heaven Can Wait, made me cry. How does it feel to have written something that made a grown man weep?
Pretty gobsmacked to be honest, and a little bit guilty for upsetting you! When I wrote ‘Heaven Can Wait’ I never imagined that
a) men would read it and
b) it would touch them
but I’ve heard back from a couple of men who’ve read it now and had nothing but positive comments (the ones with negative comments probably decided to keep them to themselves!). Interestingly the part of the book that made you cry made me cry when I wrote it and I think maybe that’s what touches people, the genuine emotion I put into ‘Heaven Can Wait’.
Can you tell us what the book’s about?
‘Heaven Can Wait’ is a supernatural romantic-comedy (yes, despite the crying there are funny bits in it!) about a woman called Lucy Brown who dies the night before her wedding and ends up in Limbo. She’s given the choice between going to heaven to be reunited with her parents or returning to earth to complete a task that will allow her to become a ghost so she can be reunited with her fiancé Dan. Lucy decides to return to earth, joins two other ‘wannabe ghosts’ in a grotty house in North London, and has twenty-one days to find love for a total stranger. The pressure is on, and it just gets greater when she realises her so-called best friend Anna is intent on making a move on Dan.
When and why did you start writing it?
Before ‘Heaven Can Wait’ I’d previously started two novels but ditched them when I ran out of steam/enthusiasm and kept telling myself ‘I’ll finish a novel one day’. In the summer of 2006 one of my best friends from school died suddenly and unexpectedly and, as people often do in such situations, I re-evaluated my outlook on life. Time was precious I realised, and I couldn’t keep putting off writing a novel. By March 2007 the idea for ‘Heaven Can Wait’ was so clear in my head I had to sit down and write it. Three months and three weeks later I finished the first draft.
Love, in its different forms, is something that features a great deal in the book. Can you talk to us about that, about ‘love’ as a theme and a thing? Do you believe that love conquers all?
Wow – big question! People are motivated by different things - greed, desire, ambition etc but I think the most fascinating motivating force is love. Love is so hugely powerful it can compel people to do all kinds of insane/brave/unselfish things and it’s the reason Lucy overcomes obstacle after obstacle in her desperate attempt to be reunited with the love of her life. Can love conquer all? Not always unfortunately. Sometimes love can be unhealthy, sometimes it’s unrequited and sometimes people are so broken that even love can’t save them – but those are subjects I think I might save for future books!
Define ‘geek’.
Me! Er...someone who gets excited by technology and gadgets, someone who sits slightly uncomfortably on the edge of the social norm, someone who’d rather escape into a virtual world than live in the real one. I like geeks. They’re not trying to be ‘cool’, they just like what they like and they don’t care who knows it.
Would you say that Heaven Can Wait is a story about accepting people and forgiveness?
Hmmm... there’s certainly a lot of acceptance and forgiveness in ‘Heaven Can Wait’. Lucy makes a lot of assumptions about the people she meets when she returns to earth and it’s only through really getting to know them that her opinions change. She does forgive quite a few people too. Having said that I’d say that, at heart, ‘Heaven Can Wait’ is about putting other people’s dreams and needs above your own.
What do you think every great story has to have?
I think every great story has to have a character whose actions are driven by some kind of unrelenting desire/motivation. I also think the character has to undergo some kind of transformation/change of perception or, if they don’t, the reader does.
What’s the best bit about being an author?
Holding my book in my hands. That’s the biggest thrill of all.
Vanessa Gebbie said she enjoyed the originality of your ideas and wants to know what you put on your cornflakes in the morning.
I don’t! I have peanut butter on Ryvita! (I’m all about low GI foods at the moment). Maybe that’s the secret? Actually I blame Enid Blyton for my vivid imagination. If you were raised on tales of strange worlds at the top of the tree you’re bound to come up with some pretty strange worlds of your own.
And Annie Clarkson would like to know how much influence Boot Camp had on your writing.
Boot Camp taught me about the fundamentals of good fiction – good openings, strong characterisation, pace, plot, theme and endings to name but a few – and that, in order to improve as a writer you need to be disciplined. You need to set yourself targets, aim high and actually write instead of just talking about it.
How has writing Heaven Can Wait changed you as a writer?
Writing ‘Heaven Can Wait’ helped me find my voice as a writer. It made me realise what I do best – create stories that balance humour with emotion.
‘Cally Taylor’ is going to be entered into the OED and you can write its definition. What does it say?
Writer, dreamer, geek.
If you were a musical instrument, what would you be?
Can I be a metronome instead? Once you set me off I just keep on going... (a bit like my answers to this interview!)
So, I enjoyed Heaven Can Wait a huge amount (I loved it) – what else would you recommend I read?
‘After You’d Gone’ by Maggie O’Farrell.
What’s the best piece of writing advice you’ve been given?
“Writers write”.
There’s a lot to be said for dreaming about writing, reading about writing and talking about writing but you’re not actually a writer unless you sit down and write.
Any tips for those dreaming of being published?
Write the novel you’re compelled to write. Write something that moves you and/or makes you laugh (or, if you write horror, genuinely scares you). I think readers/agents/publishers can tell if you’re faking it and have written something you hope will be commercial rather than something you were genuinely passionate about.
What’s next for you?
I’ve just delivered my second novel (hopefully out by the end of 2010) to my editor and am waiting for her feedback. I’ve spent the last year working on it and am looking forward to a few weeks off over Christmas so I can re-charge my batteries, indulge in some DVD boxed set marathons and finally read some of the books on my teetering ‘to be read’ pile. I’m hoping the break from writing will spark an idea for novel three.
Anything you’d like to add?
Thank you for a lovely interview. You’re a very nice man J

Thursday, December 03, 2009
Ch-ch-ch-ch-Changes
***
Wednesday, December 02, 2009
Learn From Me
"Another unspoken rule that is generally followed by writers is to avoid writing in the second person point of view.
Flash fiction allows writers to experiment with this point of view because, in a story so short, readers are a little more willing to accept things that would be more difficult to accept if they were spending a long time with them. Read either Seconds Are Ticking By by Nik Perring or Accident by Dave Eggers'."
Which made me very happy indeed. I just hope my story's useful.







